शनिवार, 12 दिसंबर 2020

Character & Conduct: Lessons From Mahabharata Personalities - Part 2


Link to Part 1: http://bolharrybol.blogspot.com/2020/12/character-conduct-lessons-from.html

Krishna tells Arjuna during the war not to take oaths which make him focus on the result rather than on the task at hand. He cryptically mentions how Bhishma and Bhima are bound by their oaths. Arjuna pledges to kill Jaidrat before sunset, otherwise promises to immolate himself in the fire. It is Krishna's tactic that saves the day for Arjuna.

Krishna is Arjuna's charioteer, but most importantly The Lord Of The Universe. He is the conscience keeper and knowledge provider for the Pandavas, who adore him. They know Krishna's presence alone will enable them to win the war, not the size of their army. Krishna enlivens proceedings in an otherwise poignant saga serenaded with trickery, blind ambition, opportunism and lust for power. Sounds familiar? Looks like nothing has changed?

The significance of Mahabharata cannot be understood without Krishna. He fills an otherwise violent saga with perspectives and moments of peace. Krishna himself though never had an easy life. His uncle Kamsa was braying for his blood. According to a heavenly broadcast, Krishna, the eighth child of Devaki and Vasudev, would kill Kamsa and put an end to his evil rule. So Krishna, at birth, is rescued from jail and given in care of Yashoda and her husband Nanda, Vasudev's friend.

Krishna is born to re-establish righteousness in the world. He is related to the Pandavas by birth. He is their Guru, their protector. He performs various miracles during his childhood and throughout his life, but never once does he misuse his power. He is a tactician. He even uses 'deceit', but only against those who cannot be fixed otherwise.

Character Lesson 2: Wth Great Power Comes Great Responsibility.

Krishna is God, but does not impose himself. His job is to guide humans on the right path. Throughout the Mahabharata he preaches peace and strongly advises against war. In fact, he even abandons Mathura and sets up base in Dwaraka to avoid war.

In the build-up to the Kurukshetra war, he does his best to avoid the war. But once the war becomes inevitable, he fully commits himself and the Pandavas to fighting with all their might. For Krishna, purpose of the war is not to win, but re-establish righteousness. The Kauravas have great warriors in the form of Bhishma, Dronacharya, Duryodhan, Karna.....but they are all fighting on the wrong side of the moral code. They have an incredibly large army. The sons of Dridharashtra and Gandhari are hundred in number, whereas the Pandavas are only five.

The Pandavas don't have such a large army, but they have Krishna. Before the war when Duryodhan and Arjuna are asked whether they want Krishna or his army, Duryodhan chooses the army, whereas Arjuna is wise enough to ask for Krishna. Shakuni, who all his life poisoned Duryodhan's mind against the Pandavas, realises his nephew's folly. Even the evil Shakuni realises Krishna is the factor that will decide the war, not the size of the army.

Character Lesson 3: Know What To Ask

In the modern world, like Duryodhan, people's ambitions make them ask for the wrong things - power, money, status - which, though important in moderation, blind them to the real source of happiness - love, compassion, empathy.......

Arjuna knows what to ask. He is wise and brave. Duryodhan is brave, but not wise. He is the result of his father's lust for power and his uncle's crooked manipulation. Shakuni wants to take revenge against the Kuru clan for getting his sister Gandhari married to a blind King. Gandhari, in a moment of incredible sense of partnership, ties her eyes with cloth so that she too can lead a life of blindness. Shakuni, through Duryodhan, works out schemes after schemes to get rid of the Pandavas. Bhishma, due to his oath not to ascend the throne himself, watches all the dubious events helplessly. He knows he is wrong to side with the Kauravas in the war, but puts his oath above the nation.

In this war between right and wrong, all the so-called great men are fighting for the wrong side. They know they are wrong, yet feel indebted to the Kauravas for one reason or the other. While Bhishma is bound by his oath, Guru Dronacharya, teacher to both the Pandavas and the Kauravas, is bound by his loyalty to the kingdom. Karna is bound by the loyalty to his friend, who makes him a King though he does not belong to a princely family. It is another matter of course that Karna later realises he is actually the eldest brother of the Pandavas, as he is Kunti's first son, abandoned by her before marriage.

Karna is one of the most interesting personalities in the Mahabharata. He is great, complex, son of the Sun God, is a great giver -
a daanveer - says a lot of right things, but often commits unpardonable mistakes. He knows his friend Duryodhan is evil, but he gives up his life for him in the Kurukshetra war as he feels indebted. Duryodhan gives him the respect that society does not deem fit, as he is mistaken to be the son of a charioteer and not of a royal. Karna insults Draupadi during the events that unfold as a result of the dice game. He is part of the cowardly act by the Kauravas when they kill a trapped and unarmed Abhimanyu against the laws of war.

Just like Dridharashtra, he too feels wronged in life. He never receives his real mother Kunti's love. Draupadi refuses to give him a chance at her swayamvar as he is not a Prince. He falls in love with a Princess, but is refused her hand as he is not a royal himself. He ends up marrying the princess' maid. Karna judges his worth by how society reacts to him. He sides with the immorals though he often disagrees with their machinations.

He feels so indebted to Duryodhan that he does not discriminate between right and wrong. He does what is convenient (even though not easy), not what is right. In the end, he pays the price for this.

Character Lesson 4: In Life Do What Is Right, Not What Is Convenient

The crimes of Karna however are small in front of those of Dridharashtra. He is born blind. He is the rightful heir to the throne as he is Pandu's elder brother. But Vidhur, a man of great knowledge and advisor to the throne, feels Pandu should be King, as Dridharashtra is blind. The final decision is left to their grandmother Satyavati, and she chooses Pandu as the King.

Dridharashtra never overcomes this feeling of having been denied what was rightfully his. He harbours ill will against Vidhur and the Pandu clan all his life. To add to his woes, Pandu's first son Yudhishthir is born before Duryodhan, thereby blocking Duryodhan's chances of becoming King as the elder brother's son. If ifs and buts had any meaning, if Dridharashtra was made King, would the Kurukshetra war have never happened?

Dridharashtra is blinded by love for his son. Shakuni parallely uses Duryodhan to plant ill-will in his mind towards his Pandava brothers. The seeds of a terrible war are sown in the childhood of the Pandavas and the Kauravas. Gandhari's vociferous sane voices fail to make Dridharashtra realise his follies. He allows Duryodhan to commit mistake after mistake. He gives his tacit support to various plots to kill or dislodge the Pandavas and deny them their rights. His dream is to see Duryodhan become King. He wants to fulfill his own ambition through his son. Sounds familiar to how modern parents want their children to fulfill their unfulfilled dreams?

Character Lesson 5: Don't Live Your Dreams Through Your Children. They have their independent lives and dreams.

Dridharashtra lives all his life as a victim. He refuses to take responsibility for his decisions. He feels wronged. He never comes to terms with his own lack of character to be King. He places his son before the nation. Sounds familiar? Politics, nepotism, etc?

Character Lesson 6: As A Leader, Put Team Before Self And Selfish Interests

As a result, Duryodhan becomes a symbol of evil. He can easily be manipulated. Duryodhan's personality is a classic example of nature versus nurture. Did he have a natural tendency for evil or his behaviours were a result of how his father and uncle influenced him? Through the Mahabharata, Duryodhan does show signs of his discomfort with winning through devious means. His friend Karna time and again urges him to win the battle at war rather than through treachery. He even forcefully stops him from killing an unarmed and in-prayer Barbarik, who is otherwise invincible with the divine weapons he possesses. Ashamed by his act, Duryodhan even asks his sworn enemy Bheem to cut his head off. Barbarik, after all, is Bhima's grandson.

Duryodhan is a victim of his father Dridharashtra's ambitions and Shakuni's evil politics. Karna believes in the means to achieve an end, though his actions do contradict his beliefs - like when he participates in the collective killing of an unarmed and trapped Abhimanyu, or when he insults Draupadi. Shakuni however believes only in the end, not in the means. Duryodhan lacks the courage to refuse to adhere to the ways of his uncle. After all, he too is consumed by the desire to be King Of Hastinapur. He too believes his father was treated unjustly. So as his father's eldest son, he believes in his right to the throne.


Amidst all this a sane voice in the form of Vidhur - The Prime Minister is often heard in the corridors of power in Hastinapur. He is convinced that the one competent to be King is Yudhishthir, not Duryodhan. He is the Voice Of Truth. Unlike Bhishma or Drona, who are bound by loyalty, Vidhur is bound by Truth. Any wonder then that when Krishna goes to Hastinapur as a peace messenger of the Pandavas, he refuses to accept Duryodhan's lunch invitation? Instead, he eats at Mahatma Vidhur's home. Duryodhan sees this as yet another insult, but Krishna could care less. He only sides with those who are right.

Character Lesson 7: Leadership Is About Competence, Not About Rights.

Krishna and Vidhur are on the same page. They believe in Truth. They both never mince words when it comes to highlighting adharma. Vidhur's was the only voice which vociferously opposed the happenings during the dice game. He kept urging Dridharashtra to stop the game, but the King was happy his son was winning. Bhishma, Dronacharya, Kripacharya - the doyens of the Hastinapur Kingdom watched 'helplessly' even as Draupadi was dragged by her hair by Dushasan and was being disrobed. It is Krishna who saved Draupadi from total dishonour. Draupadi's five husbands too watched helplessly and allowed their wife to be insulted in front of everyone.

Character Lesson 8: Principles Matter More Than Capabilities

Krishna sides with the Pandavas because they are on the side of dharma. He knows the warrior capabilities of each of the Kaurava leaders. He has no qualms using so-called wrong means to defeat the Kauravas at war. He continuously plots against them during the Kurukshetra war to ensure the Pandavas win and through them a just order can be created. He is a leader who always looks at the larger picture.

TO BE CONTINUED

शुक्रवार, 11 दिसंबर 2020

Character & Conduct: Lessons From Mahabharata Personalities - Part 1

 


INTRODUCTION

The lockdown was a bolt from the blue. It caught the human race napping. Out went the next big career move, business decision, car, house, dream holiday, etc. It all came down to mere survival. Suddenly, everyone had to cope with not just an unforeseen situation, but an unprecedented and unimaginable context.

Everyone started coping in their own unique ways, though some patterns ran common - like work from home and enhanced sanitisation habits. At the same time each family might have worked out its own unique or creative way to deal with the situation. We gathered around the laptop at lunch time to watch BR Chopra's Mahabharata.

For my wife and me, it was a nostalgic experience. We travelled back in time into the '80s when we had witnessed something like a lockdown due to the Ramayana and the Mahabharata serials on Doordarshan. On days they were aired, streets wore a deserted look as everyone sat glued to their television sets to witness an epic saga of the two most celebrated epics in India.

We grew up listening to the stories of Rama, Sita, Hanuman, Krishna, Arjuna, Draupadi, Dronacharya, Bhishma.....Our moralistic values were built around the stories from these epics. We learnt what was right and what was wrong. So the coming alive of our heroes through television serial characters held the whole country in awe. We watched every episode in disbelief. Many in the country even thought of the actors as Gods themselves.

So the feeling of re-living those episodes during this real lockdown was fascinating to say the least. Were we also fulfilling our parental responsibility by getting our daughter to watch this great drama? Maybe.

I watched all the 140 odd episodes diligently. At every step, I tried to reflect on what lessons does this great epic offer for humanity. Change the era and give the characters a modern look, you may as well be watching a 21st century drama, and not something which is said to have occurred more than 5,000 years ago. Even today, we are grappling with violence, property disputes, deceit, immoral politics, etc. So what really has changed?

Besides the moralistic perspective, there is another fascinating aspect of the Mahabharata. It is one of the greatest stories told. Whether it is historical or mythological, there is no denying that it is a blueprint for great storytelling. Incidents - real or unreal - need to be narrated in an engaging way. What brings stories alive is people and their characters - the roles they play.

In this writeup, I have looked at what lessons we can derive on character and conduct from some outstanding personalities in the Mahabharata, including Krishna, the pivot around which the whole story, plot and sub-plots revolve. Each one of them is great yet vulnerable. They are in possession of some unimaginable gifts, yet their failings are mighty hard to digest. For example, the silence of Dharmaraj Yudhishthir when his wife was being insulted within the palace of Hastinapur. Bhishma, Karna, Draupadi, Dronacharya are all celebrated for their greatness, but at crucial points they let themselves and their followers down.

Through this essay, I have tried to decipher the key lessons we can derive from the lives and conduct of some of these great personalities.

But before we proceed, here is a Disclaimer:

My interpretations are based on what I observed in the serial made by BR Chopra and Team. If somewhere I have got the facts or interpretations wrong, it is purely my failing - the failing of a novice. This is not to be treated in any way as a comment on the makers of the serial and what they have represented. I am not a scholar and have not compared what has been shown in the serial with any other source. I have written this piece purely inspired by what I saw and as a common man. Hope you will take away some interesting insights from this amateurish scholarly attempt.

CHARACTER & CONDUCT: LESSONS FROM MAHABHARATA PERSONALITIES

Bhishma lies on his bed of arrows awaiting the moment when he can decide to leave the world. After all, he has the boon of dying at will, which eventually turns out to be a curse. The Pandavas are by his bedside. They have won the Kurukshetra war and Yudhishthir is the new King. Bhishma is now secure in his knowledge that his beloved Hastinapur is protected from all sides and so is all set to give up his body.

But Krishna has one last request. He wants Bhishma to give some lessons on kingship to Yudhishthir. "When you can do it, why am I needed for this task?," asks Bhishma. "Because I have the knowledge, but you have the experience," replies Krishna.

Bhishma advises Yudhishthir to always put the nation before anything else. Somewhere he holds himself responsible for the Kurukshetra war. His oath not to be King so that his foster mother Satyavati's sons could ascend the throne meant he had little control over decision making. Series of unholy events unfolded in front of his helpless eyes and ultimately he ended up fighting the war on the side of the wrongdoers.

The advise to put nation above everything else is timely and apt for Yudhishthir. He has a chronological advantage as he is the eldest of the Pandavas. But he is also the epitome of righteousness. Yet, he has often displayed his inability to draw the line. He commits without thinking. After a long and nasty war, when all he needed to do was vanquish a hapless Duryodhan, he tells him he will accept defeat if Duryodhan can defeat even one of the five brothers in a one-to-one duel. Krishna is flummoxed and shocked at this indescribable magnanimity. How unfair is this to the scores of soldiers who sacrificed their lives so that the Pandavas can regain their rights?

Yudhishthir had committed the historic blunder of putting his family members at stake after he lost all his material possessions in the dice game. His sense of righteousness blinded his judgement of the powers of a King. His wife and brothers were not his personal property. So Bhishma's advice is not just for Yudhishthir, but for all leaders who often are caught between personal contexts and team interests.

Yudhishthir now has a third chance at the throne. The second time was when after the first dice game, Dridharashtra, ashamed by the insult of Draupadi, returned to Yudhishthir all that he had lost. This time Krishna wants to ensure he is balanced and does not get carried away. He often overcommits and gets everyone into a muddle. This and various other factors contributed to the terrible Kurukshetra war.

Bhishma and Yudhishthir, besides being two pivotal characters, are also great students of life. They are ready to admit to their follies and take corrective action. They introspect and correct. They are great because they are aware of their great shortcomings.

The Mahabharata is often interpreted for management and leadership lessons, and rightly so. But within this epic lie great personalities who offer timeless lessons on character. Whether the epic is a reality or fiction, the lessons for humanity are priceless. In the least, this is the world's best-told story along with the Ramayana.

As in a well scripted movie, there are plots and sub-plots - complex, intriguing and eerie sometimes. Many characters make their strong presence as each of them have a well defined role and script. So the epic can also serve as a great lesson on screenplay and movie making.

The genesis of the war itself lies in King Shantanu falling in love with Satyavati. He wants to marry her, but her father puts a condition that only sons born from her will succeed Shantanu as the King. This is unacceptable to Shantanu as his son Devavruta is the rightful heir. But concerned for his father and blinded by his love for him, Devavruta takes an oath that he will remain a celibate and never marry so that Satyavati's sons can be the heir apparents. Any wonder then that during the Kurukshetra war Shantanu, sitting in heaven, holds himself responsible for it?

Character Lesson 1: Think Before You Speak. Don't make grand impulsive commitments whose price you may have to pay all your life.

TO BE CONTINUED

गुरुवार, 6 अगस्त 2020

कहाँ से लाऊं वोह पहली वाली Feeling

कहाँ से लाऊं वोह पहली वाली Feeling

कहाँ से लाऊं वोह पहली वाली Feeling
अपने किसी चहीते को गले लगाना 
पडोसी के घर चाय पीने पहुँच जाना 
दोस्तों के साथ नुक्कड़ पर गप्पे लगाना 
दोस्त के कंधे पर हाथ रखकर चलना 
किसी से भी बेझिजक हाथ मिलाना 
Udupi hotel में Idli-Wada खाना 
Filter coffee को सिर्फ पीना नहीं, उसे महसूस करना 
कहीं पर भी किसी वक़्त भी अपनी गाडी लेकर पहुँच जाना 
बिना mask के बाहर निकलना 
Plane में सफर करना 
Train के दरवाज़े पर खड़े खुली हवा में सांस लेना 

वोह छोटी छोटी खुशियों का शायद हमने कभी कदर नहीं किया 
आज तरस रहे हैं उन लम्हों से मुलाक़ात करने के लिए 
फिर जीना चाहता हूँ वही स्वतंत्र जीवन 

पर अब कहाँ से लाऊं वोह पहली वाली Feeling

बुधवार, 25 मार्च 2020

हाँ , ये तसल्ली हैं कि मैं अकेला परेशान नहीं हूँ

हाँ , ये तसल्ली हैं कि मैं अकेला परेशान नहीं हूँ
ये भी परेशान है, वोह भी परेशान है, हम सब परेशान हैं 

अच्छा है, किसी मोड़ पर तो कोई साथी मिला
आज तक मैं साथी ही तो ढूंढ रहा था

सोचता था वह साथी मेरे काम में मेरा साथ देगा 
और मैं उसके काम में उसका साथ दूंगा 
पर ये कैसा साथ है?
जहां पर, न तुम्हारे पास काम है, न मेरे पास काम है 

विचित्र है ये दुनिया 
ईर्षा करता है मानव जब काम होता है
सोचता है, जो उसके पास है, वह मेरे पास क्यों नहीं है, 
ये नहीं सोचता कि हम सब एक दूसरे के सफर में भागीदार कैसे बने 
पर अब देखो, न ईर्षा का कोई मौका है, न सफर का  

कुदरत ने दिया था हमें मौका साथ में आगे बढ़ने का 
उस मौके तो हमने गवां दिया 
आज हम साथ तो हैं 
पर आज हम किसी का भी कोई वजूद नहीं है 

पहले हम देखते थे कि वह क्या कर रहा है 
कहीं मुझसे आगे तो नहीं निकल रहा है 
आज एक अजीब संतोष है कि वोह भी यहीं है, मैं भी यहीं हूँ 

अब हम बात करते हैं कि जीवन का असली मतलब क्या है 
अमीर-गरीब सब आज रुके हुए हैं 
वादे कर रहे हैं एक दूसरे से कि फिर कभी नहीं लड़ेंगे 
जब सब ठीक हो जायेगा तब एक दूसरे का हाथ थामकर चलेंगे 

बातें तो हम बढ़ी अच्छी अच्छी कर रहे हैं 
पर जितना मैं इंसान को जानता हूँ, पहचानता हूँ
फितरत के हम सभी मारे हैं 
जब रास्ते फिर से खुलेंगे वही चूहे बिल्ली की दौड़ में पढ़ जायेंगे 
फिर उसी ज़िन्दगी में लौट जायेंगे जहां सिग्नल पर लाल बत्ती लगते ही 
बेसब्री से इंतज़ार करते थे हरी बत्ती का 

हम सब फिर से निकल पढ़ेंगे 
वादे भूल जायेंगे 
साथ छोड़ देंगे 
और फिर एक बार अपनी जमी हुयी आदतों में लौट जायेंगे

लगता तो ऐसा ही है 

पर कहते हैं ना, उमीद पर दुनिया कायम है
हाँ, अब भी उमीद तो है कि 
जब सब चल पढ़ेंगे, एक साथ निकलेंगे और एक दूसरे का साथ देंगे 
ईर्षा नहीं करेंगे, मोहब्बत भर देंगे अपने दिलो में एक दूसरे के लिए 
दौड़ते दौड़ते भी कुछ क्षण रुकेंगे 
एक दूसरे का हाल चाल पूछेंगे 
अपने को और दूसरों को संभालेंगे
एक दूसरे की ख़ुशी में अपनी ख़ुशी ढूंढेंगे 

ऐसा ज़माने का इंतज़ार ज़रूर है 
आपको भी, मुझको भी 

हाँ, पर इस वक़्त ये तसल्ली हैं कि मैं अकेला परेशान नहीं हूँ
ये भी परेशान है, वोह भी परेशान है, हम सब परेशान हैं










बुधवार, 18 मार्च 2020

आज मेरी आत्मा ने मुझसे बातें की

आज मेरी आत्मा ने मुझसे बातें की 

हरिहरन एयर

आज मेरी आत्मा ने मुझसे बातें की
पूचा कि कैसा हूँ मैं
पर मैं अपने ही अंदर की आवाज़ को पहचान नहीं पाया

लेकिन जब दिल के दरवाज़े पर फिर से मेरी आत्मा ने खटखटाया
तब मेरे कान ने उस आवाज़ को पहचान लिया
जिसके साथ सदियों पहले मैं गुफ्तगू किया करता था

मैंने हडबड़ाकर जवाब दिया, हाँ मैं ठीक हूँ, आप कैसे हैँ?
आत्मा हंसकर बोले, आप कैसे हैँ? अछ्छी बात है, मुझको भूल गए पर अदब नहीं भूले हो
मैंने कहा, हाँ अदब तो नहीं भूला, पर अपने आप को खो दिया है मैंने

आत्मा  ने कहा, मैं तो तुम्हें इतने ही ज़ोर से कई महीनों से पुकार रहा हूँ, आज कैसे सुन लिया?
मैं हसंकर बोला, बाहर की दुनिया का आवाज़ जो बंध है, घर पर ही बैठा हूँ

आत्मा फिर बोले, हाँ तुम लोग तो ऐसे ही हो
जब तक वायरस तुम्हें धमकी न दें, कहाँ सुधरने वाले हो!
दो पल रोज़ हमसे भी मुलाक़ात करो
थोड़ा ध्यान करो
परिवार के सात प्यार बांटो,  सिर्फ ज़िम्मेदारी मत निभाओ
अपने आप से जुडो, खुद से बातें करो....

मैंने आत्मा को टोका, और बोला
आपका क्या है - न कोई इच्छा न कोई बंधन
झेलना दौड़ना तो हमें है
पैसे के पीछे, प्रमोशन के पीछे, बच्चों के पीछे, भविष्य के पीछे....

अब आत्मा ने मुझे टोका
मुझे क्यों कोसते हो
तुम और मैं एक हैं - ये तुम जानते हो
फिर भी अनजान बनाते हो

मैंने फिर से टोका
ओह! आत्मा अब रहने भी दो मैं कौन हूँ वाला सत्संग
बस कुछ ही दिनों की बात है
फिर से मैं अपनी आदत भरी ज़िन्दगी में लौट जाऊँगा
ट्रैफिक की आवाज़ में फिर से आपको न सुन पाऊंगा
इस शोर में समा जाऊँगा
और भागता भागता थक जाऊँगा
पर आपको पुकार नहीं पाउंगा

बस फिर एक बार मैं विजयी हुआ
अपने आत्मा को उनका जगह दिखा दिया
फिर एक बार जो मैं हूँ उसी को अपने से दूर कर दिया

वायरस हमारी ज़िन्दगी को थमा तो सकता है
पर हमारी नासमझी को कौन ठीक क़र सकता है 


गुरुवार, 20 फ़रवरी 2020

TRUST ME.....


Trust Me, The Experience Of The Path Is More Beautiful Than The Fruit Of The Goal


By Hariharan Iyer

Trust Me, it's okay to fail
Trust Me, it's okay to fall short
Trust Me, It's okay to be not loved enough
Trust Me, It's okay to be put down
Trust Me, It's okay not to believe in yourself fully
Trust Me, It's okay not to put a date to your goals
Trust Me, It's Okay to be confused

But Trust Me, it's not okay not to try
It's not okay to give up
It's not okay to not smile at your difficulties
It's not okay not to grow yourself
It's not okay to complain
It's not okay to be irresponsible
It's not okay not try to be happy

Success is a journey, not a destination

It's okay not to get to your goal
But it's not okay not to travel the path

Trust Me, The Experience Of The Path Is More Beautiful Than The Fruit Of The Goal

शुक्रवार, 22 नवंबर 2019

इस दिखावे की दुनिया में....

इस दिखावे की दुनिया में..... 

इस दिखावे की दुनिया में थोडासा सच बोलना चाहता हूँ,
इस दिखावे की दुनिया में थोडासा टूटना चाहता हूँ, 
इस दिखावे की दुनिया में थोडासा रोना चाहता हूँ, 
इस दिखावे की दुनिया में थोडीसी सहानभूति चाहता हूँ,
इस दिखावे की दुनिया में अपनी इंसानियत का परिचय देना चाहता हूँ, 
इस दिखावे की दुनिया में अपनी सच्चाई का संतोष महसूस करना चाहता हूँ, 
इस दिखावे की दुनिया में `हाँ, मैं डर गया हूँ , मेरी मदत करो` निःसंकोष कहना चाहता हूँ, 
ए दोस्त, ये दिखावा सिर्फ आत्मा पर ही नहीं अंग अंग में भारी पढ़ता है,
आखिर तो मरना है और सबको सब कुछ दिखना ही है,
तो फिर क्यों न जीते जी ही मैं क्या हूँ, मैं कौन हूँ इसका परिचय दे दूँ,
कुछ नहीं तो वो जो देख रहा है, उससे आँखें मिलाने का काबिल बन जाऊं।